Canon has recently stepped into the full hybrid camera arena with a new entry. The 32.5MP EOS R6 III is a dramatic improvement over the EOS R6 R6 II thanks to its higher resolution, faster shooting speed and better video specs. However, it comes at a very high price and does not have an integrated or partially embedded sensor, unlike other cameras in this category.
The new 32.5mp sensor provides greater efficiency in resolution compared to the R6PPP of the R6PP of the R6MP. At the same time, the R6 III offers a maximum shooting speed of 40 FPS in burst mode with the electronic shutter, or 12 FPS in burst mode. It also supports 20 frames (half a second) of advance shooting so you don’t miss important moments of nature or sports shooting.
It’s a cocoon
The R6 III uses a fast and reliable Pixel system It can work in dim conditions well down to EV -6 eV and should be more responsive with the latest digic x processor, pending our review. It offers subject tracking for people, animals and cars, and an auto mode that will select one of those automatically. It has also designated the “Topic Key” from the R5 II, allowing you to focus on the keys to specific lessons you’ve memorized.
The biggest update for the R6 III, however, is video. Thanks to the high resolution sensor, it is now possible to capture 7K 60 FPS bright green video, 7K 30 FPS “open FPS” Video and 4k with C-Log2 and C-Log3 on tap. There are a bunch of other video formats available (12 pages worth of specs), with HEVC S, AVC-S, AVC-S, Raw, green light and others, at resolutions up to 7k. All aspects of AF course acquisition
It’s a cocoon
No one expects any drastic change from a Canon camera (the company tried that with the EOO R as well indeed It doesn’t work), so the R6 III kept the characteristic of the last model of the model and it is true. That includes two high resolution bezels and one on the back, as well as a joystick, picture/video selector, mode dial, mode dial and a good assortment of structured buttons.
The rear projection comes out as you would expect for vlogging, but it doesn’t allow it like Panasonic’s S1 II – so it can block the mic or headphone jacks, and it’s useless for low-light shooting. The VieWFinder has 3.69 million dots of contrast as before, the same as the a7 IV but less than the more expensive LUMIX II. One major change is the inclusion of a CFEXPress Card Slot that allows for raw video capture and faster burst speeds, and an SD UHS II Slot. The battery is the same as that of the EOO R5 II and allows 390 Shots (CIPA rating) with the Viewfinder enabled.
It’s a cocoon
Other features include waveform monitoring that will be appreciated by PROS, and new focusing algorithms borrowed from canon cinema cameras that offer “Natural, Professional” behavior, the company wrote. Inputs include 3.5mm mic and headphone jacks, as well as fast USB-C and wide HDMI. The stabilization of the body has been slightly increased from 8 to 8.5 stops, compared to the latest Panasonic models.
Along with the EOO R6 III, Canon introduces an exciting new glass. STM’s RF45MM F1.2 Lens delivers high speed and shallow depth of field in a very small and light .76 Pound (346 Gram) Form Weight RF 50mm F / 1.2L Lens. It’s cheap and scary with an f/1.2 lens at $470.
The Canon EoS R6 III arrives later this month for $2,799 (Body only) or $4,049 with the RF24-105 F4 L is USM lens. That’s a lot more than Nikon’s $2,500 Z6 III, which has a slightly more compact but 24MP sensor. Panasonic’s S1 II also has a 24MP still, but it can shoot 70 FPS and costs $3,200. Finally, the A7 IV has the same 33MP sensors but lacks the raw video features of the R6 III.
