The directors of ‘Elio’ and ‘Kpop Denton Hunters’ talk about the reality of selling various movies
In the recent ring of hollywood animation around, KPOP demon hunters filmmaker maggie kang again You are drinking Director of Co-METE SHI (red turn) It’s talked about suppressing representation in an era where studios seem to be playing it safe with each other. It is a victory when the first story is the same KPOP demon hunters a big hit. But original stories can also be demolished behind the scenes, contributing to a robust box office return, as it seems You are drinking.
Shi was brutally honest about talking about You are drinking rollout. “From my experience making movies, making movies with animals is difficult and financially risky regardless of whether there is a sequel or a sequel. Red turn.
“I feel like at least at Pixar, we’re always trying to figure out how we can continue to tell unique stories that everyone can relate to and love. But it’s been hard… You are drinking It was released this summer and was a hit at the box office, to put it mildly. “
Shi went on to show that Pixar sees, despite the numbers, that the characters have received a lot of appreciation from the animation fan community. “But people who have seen it love it. And it’s just a big challenge,” she said. “How do you squeeze the original movie sports genres out of all that noise, all the news and content that’s been released?”
Shi also gave Kang her flowers for success KPOP demon huntersdescribing it as “such a beacon of hope and light for early films,” and adding, “I hope for the success of films like Kind of that the big studios will want to take creative risks. “
Kang Shone Light on there was no feeling that is not the night, although KPOP demon hunters it looks like someone got released with netflix. He said of the long journey to Sony Pictures, “we [you] First start riding the movie, soon you talk to marketing. So marketing is involved and has a very big say in what kind of films are made at a particular studio. I truly believe that K-POP is all about it [in] Our film got you green. “
With K-POP leading the way, original art followed. “I was like, ‘I’m going to take this K-pop idea and make it into a personal Korean movie that I can do as a Korean creator,’ just to see Korean representation on screen,” he said. “As a Korean and seeing and hearing from other Koreans as well – we never had that stereotype, it’s like our culture [these] Women wear different clothes, like traditional Korean dress. [We’ve] Of course, I’ve never seen that before, and my parents, the first time they saw it, were crying. “
Kang is reasonable, however, about what is considered a formula for success. “I’m an animation kid who grew up in a big studio machine. I’ve spent most of my career in the dream, and we always think ‘what can we sell?’. “Which ideas will get the most eyes on this product? In this movie? ‘ And so I think that’s just kind of how I think all the time. I’m always thinking of ways to connect the marketing of a concept with something personal and make stories that are universal and relatable to anyone. “
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